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Mark Antony’s speech: A masterpiece of oratory
The English poet and playwright William Shakespeare is recognized in
much of the world as the greatest of all dramatists.
“Julius Caesar†(1599) is one of his major tragedies. It is the
tragic story of political rivalries in ancient Rome.
Fearing Julius Caesar will become a popular tyrant, Brutus and Cassius
plot to assassinate him. On the day agreed for the assassination Caesar
is nearly persuaded to stay at home by his wife Calphurnia’s fateful
dreams. He decides to go to the Senate, ignoring a soothsayer’s
warning and a letter that names all the conspirators, and is stabbed.
Brutus calms the citizens attending Caesar’s funeral and spares Mark
Antony, Caesar’s trusted companion and allows him to speak to the
people.
Mark Antony starts talking to a crowd that is already convinced of the
rightfulness of Brutus’s cause. He addresses them by “You gentle
Romans†to achieve what’s called “captatio benevolentiaeâ€Â, that
is gaining the auditorium’s sympathy. The term “Romans†has a good
purpose: waking up the people’s national consciousness and
subconsciently reminding them
To capture their attention, Mark Antony tells them to “lend me your
earsâ€Â, a short phrase that show us that Mark Antony is a good orator
who is not imperative, like Brutus. To calm the crowd, he tells them
that he is not here to praise Caesar. He continues with an aphorism
saying that after one dies people only remember the bad things about him
and they forget all the good things he has done, a subtle allusion to
Julius Caesar. He is ironic: he repeatedly calls Brutus “noble†and
“honorableâ€Â. He says he doesn’t deny that Brutus is an honorable
man and that Brutus blames Caesar for ambition and then he expresses
doubt about all that with an “ifâ€Â: “If it were soâ€Â. We notice
that, a great orator, he never says directly what he has to say; he only
insinuates things and makes the auditorium put the pieces together. He
continues by saying that only under the permission of Brutus he came to
speak; he displays modesty, but it’s a would-be modesty.
Mark Antony speaks about Caesar’s successes, about the good and clever
leader he was. He reminds Caesar’s qualities and, knowing that the
people are responsive to material interests, he tells them that Caesar
would not take the crown, in order to inflame them against the
conspirators. Then he uses a rhetorical question to cast doubt upon the
blame put on Caesar: “was this ambition?â€Â. Using the adversative
conjunction “yetâ€Â, he is putting face to face the facts with
Brutus’s affirmations. We notice the emphatic use of “doâ€Â, a
rhetorical device, in “what I do knowâ€Â, to clear any doubt about the
rightfulness of his words; and another emphatic word, “didâ€Â, in
“You all did love himâ€Â.
Antony makes a rhetorical invocation: “O judgement!â€Â; he is now
histrionic; he acts, forcing the approval of the people: “My heart is
in the coffin there with Caesar,/ And I must pause till it come back to
me.†His words have the desired effect on the people, who start
doubting about their beliefs. Then Mark Antony informs the crowd that he
has found Caesar’s will but he doesn’t mean to read it. He does that
only to excite the people, who are now demanding to hear the will. Now
he can afford to be ironic and play with people’s patience while
completely ignoring the conspirators, unlike in the beginning, being now
the master of the situation. He tells the crowd that they shouldn’t
know how much Caesar loved them, because it would be too much for a man
to hear. His words are now taken for granted by the crowd, who can only
think about hearing the will: “We’ll hear itâ€Â, â€ÂYou shall read
us the will.â€Â. In these phrases, the modal verbs â€Âwill†and
“shall†have imperative meanings: “We want to hear itâ€Â, “You
must read the willâ€Â. Despite all that, Mark Antony is calm; he has
achieved his goal: he controls the crowd and is waiting for the proper
moment to unleash the people’s anger upon the conspirators. He
continues to be polite to the people even if they are not polite to him.
His subtle initial irony now changes into sarcasm: “I do fear itâ€Â
and he accuses the conspirators of Caesar’s murder. The people’s
patience starts reaching it’s uppermost limits: everybody is revolted
against the conspirators and everybody wants to hear Caesar’s will.
Hearing that Caesar has left his fortune to the Roman people, the crowd
dashes off to punish his murderers.
All this being said, we can conclude that Mark Antony’s speech is a
masterpiece of oratory, not only for the impressive amount of rhetorical
devices used but also for the way the speaker weighs his words and
manages to take complete control over the auditorium, gradually
increasing the tension and the anxiety of the crowd.
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