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RICHARD II – THE KING AND THE PLAY
Richard II (1367-1400), king of England, grandson of Edward III and son
of the Black Prince, was born at Bordeux on Jan. 6, 1367. on the
Black’s Prince death in 1377, he became king. Though at first too
young to rule, Richard in 1381 showed skill in dealing with Wat
Tyler’s Rebellion and from then onward began to assume power.
He showed extravagance, a difficult temper, and a liking for favorites,
especially the unpopular Robert de Vare. Therefore in 1386, his uncle,
Thomas of Gloucester, and the Lords Appellant defeated and drove out the
king’s supporters and installed a noble council to control him.
In 1389 Richard threw off their tutelage and for eight years ruled
modestly and well. In 1397 he was strong enough for his revenge; the
leaders of the Lords Appellant were seized and tried as traitors,
Gloucester was murdered, Richard arundel was executed and archbishop
Thomas Arundel was banished, and in 1398 the excuse of a quarrel was
taken to exile Bolingbroke and norfolk.
Richard ruled with absolute authority until May 1399, when Bolingbroke
landed in England. The king was defeated, deposed by Parliament, and
confined to Pontefract Castle, where he died on February 14,1400,
probably of starvation. Extravagant, violent and revengeful, yet weak, a
patron of literature and a lover of fine buildings, as king, Richard
never succeeded in winning the affection of his subjects.
Richard II (c.1595), a play by Shakespeare. It is in many respects the
most original of Shakespeare’s early chronicle plays. Here he emrges
from the influence of Christofer Marlowe. In spite od the resemblance of
the theme, the tragic fall of a weak king, to that of Marlowe’s Edward
II, Shakespeare’s play differs from his predecessor’s in structure,
characterization, and diction.
The action covers a shorter space of time and it’s more compact; the
lyric flow of the dialogue contrasts strongly with the declamation an
occasional direct dramatic expression of Marlowe. Most important of all,
Shakespeare’s characterization of his hero is a far more subtle study
than Marlowe’s portrayal of his vacillating monarch.
The character of Richard, self-indulgent, self pitying, and blind to the
actualities of life, is brought out by contrast with that of his
opponent, the hard realist, Bolingbroke. In the end Richard’s fall is
due not so much to outside forces as to a fatal flaw in his character,
and in this respect, at least, the play- foreshadows the later and
greater tragedies.
Richard II had a special interest for Shakespeare’s contemporaries,
for Queen Elizabeth fancied thet she might be identified in the popular
mind with king Richard, and her censors struck out the deposition scene
from printed copis of the play. On the eve of the revolt of Essex his
supporters bribed Shakespeare’s company to revive the play with the
deposition scene included. For this act they were called before the
Privy Council.
They managed to prove their innocence of ill intent and were, indeed,
invited to play at court on the day before Essez’s execution.
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